Tonight we viewed one of our two latest 16mm big buys. The first, as many now know, was Saturday night fever, this one has now been returned and a no quibble refund has been sorted.
The other is the 007 Timothy Dalton Bond movie, The Living Daylights. Having already judged that the print was going to be a pile of poo, i am pleased to say, i was wrong. It isn't perfect, the pre title sequence had a centre line for a few minutes, with a couple of thin black lines all of which come and go. In the images i have tired to show the worst. This is an LPP polyester print with A1 pin sharp image and first class sound as most 16mm prints are.
As per many 16mm's, the first 10/20 feet of reels 2 and 3 have the usual rough around the edges marks and these very quickly clear up. Reel two is fine with just a couple of light lines that only appear for a few moments. Reel three does have a couple of light black lines which again, appear and dissapear with the second half of reel 3 being almost mark three.
When i was cleaning this film i used a magnifying glass to inspect it and could have swore there heavy lines but it does look as though i was wrong. We will keep this one for a few years at least and pleased to say, "i was wrong".
It certainly relives the pain and disappointment of the other film that went back.